<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[NUN Library Search for 'su:&quot;Aesthetics&quot;']]> </title> <link> /cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22Aesthetics%22&#38;sort_by=relevance&#38;format=rss </link> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22Aesthetics%22&#38;sort_by=relevance&#38;format=rss"/> <description> <![CDATA[ Search results for 'su:&quot;Aesthetics&quot;' at NUN Library]]> </description> <opensearch:totalResults>10</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22Aesthetics%22&#38;sort_by=relevance&#38;format=opensearchdescription"/> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253A%2522Aesthetics%2522" startPage="" /> <item> <title> Cinemas of the global south </title> <dc:identifier>ISBN:9781032727479</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=28173</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1032727470.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Edited by Dilip M Menon and Amir Taha..<br /> Abingdon, Oxon Routledge 2024 .<br /> xi, 231p. ill. 9781032727479 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=28173">Place hold on <em>Cinemas of the global south</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=28173</guid> </item> <item> <title> Directing: Film Techniques and Aesthetics </title> <dc:identifier>ISBN:978-0-8153-9431-0</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=29141</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0815394314.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Rabiger, Michael; Mick Hurbis-Cherrier.<br /> Oxon Routledge 2020 .<br /> 582 p 978-0-8153-9431-0 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=29141">Place hold on <em>Directing: Film Techniques and Aesthetics</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=29141</guid> </item> <item> <title> Film art : an introduction </title> <dc:identifier>ISBN:9780073535104</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=30011</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0073535109.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By David Bordwell.<br /> New York McGraw-Hill 2013 .<br /> 526 p 9780073535104 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=30011">Place hold on <em>Film art : an introduction</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=30011</guid> </item> <item> <title> Film Art: An Introduction </title> <dc:identifier>ISBN:978-1-260-05608-2</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=30012</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1260056082.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Bordwell, David; Thompson, Kristin; Smith, Jeff.<br /> New York McGraw-Hill Education 2020 .<br /> 1663 p 978-1-260-05608-2 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=30012">Place hold on <em>Film Art: An Introduction</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=30012</guid> </item> <item> <title> Making stereo fit : the history of a disquieting film technology </title> <dc:identifier>ISBN:9780520379558</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=32169</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0520379551.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Dienstfrey, Eric.<br /> California University of California Press 2024 .<br /> 295 p 9780520379558 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=32169">Place hold on <em>Making stereo fit : the history of a disquieting film technology</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=32169</guid> </item> <item> <title> Philosophy looks at the arts </title> <dc:identifier>ISBN:0- 87722- 440- 4</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=33531</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0877224404.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Joseph Margolis.<br /> Temple University press 1986 .<br /> 605 p 0- 87722- 440- 4 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=33531">Place hold on <em>Philosophy looks at the arts</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=33531</guid> </item> <item> <title> Sight sound motion: applied media aesthetics </title> <dc:identifier>ISBN:978142069217</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=34727</link> <description> <![CDATA[ <p> By Zettl, Herbert.<br /> Boston Wadsworth Cengage Learning 2021 .<br /> 422 p 978142069217 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=34727">Place hold on <em>Sight sound motion: applied media aesthetics</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=34727</guid> </item> <item> <title> Structure as architecture </title> <dc:identifier>ISBN:9780415644594</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=35075</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0415644593.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Charleson, Andrew.<br /> London Routledge 2015 .<br /> 237 p 9780415644594 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=35075">Place hold on <em>Structure as architecture</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=35075</guid> </item> <item> <title> The eyes of the skin </title> <dc:identifier>ISBN:9781119941286</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=35750</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1119941288.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Pallasmaa, Juhani.<br /> Chichester John Wiley &amp; Sons 2012 .<br /> 128 p 9781119941286 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=35750">Place hold on <em>The eyes of the skin</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=35750</guid> </item> <item> <title> The synergy of music and image in audiovisual culture </title> <dc:identifier>ISBN:9781032290256</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=36366</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1032290250.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Donnelly, K. J..<br /> New York Routledge/Taylor &amp; Francis Group 2024 .<br /> vi, 223p. ill. 9781032290256 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=36366">Place hold on <em>The synergy of music and image in audiovisual culture</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=36366</guid> </item> </channel> </rss>
